The opera Turandot by Giacomo Puccini from the Arena di Verona (2024), with desings by late Franco Zeffirelli. Turandot is sung by Ecaterina Semenchuk.

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Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.

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In the mid-20th century, in Fucecchio, near Florence, Buoso Donati, an elderly collector and wealthy antique dealer, has just passed away. He lies in his bed, surrounded by relatives feigning grief. They are all worried, as the deceased has bequeathed his entire fortune to a monastery. They search frantically for the will. The young Riniccio, Donati’s nephew, finds it but agrees to show it to the family only if they promise to let him marry Lauretta, the daughter of Gianni Schicchi, a local figure of dubious reputation. Everyone accepts the condition and discovers to their horror that the rumour was true: the monks are set to inherit the fortune. Riniccio suggests calling on Schicchi for help, much to the family’s disgust. Summoned, Riniccio arrives at the house accompanied by his daughter. He proposes keeping the death a secret, taking his place, and instructing a doctor and a notary to alter ‘his’ testamentary dispositions. But has the hunter become the hunted? Not so sure...

Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.

As part of the 2019 Aix-en-Provence Opera Festival, filmmaker Christophe Honoré delivers an innovative staging of Giacomo Puccini's famous drama. His cleverly staged "opera within the opera" is a melancholy homage to the fascinating figure of the diva, who thrives on art and love and upsets the laws of time and death.

The Arena di Verona Festival honors Italian stage director Franco Zeffirelli, and his legendary production of Turandot. Interpreted within the sumptuous surroundings of Verona Arena, this Puccini's masterpiece tells the story of a princess whose beauty was only comparable to her cruelty. She will only marry a prince capable of solving her riddles, but if he fails, he will be beheaded... For this edition, the lyrical festival invites the russian soprano Maria Guleghina who proved a brilliant Turandot. She took to the stage with Salvatore Licitra's trump card is his imposingly radiant tenor voice of wich he remains in sovereign control, and the soprano Tamar Iveri is a beautiful and sensitive Liù.

Donald Runnicles directs the San Francisco Opera in this lavish production of Giacomo Puccini’s final masterpiece, which was left unfinished upon his death and was later completed by Franco Alfano. Declaring himself a suitor of the beautiful Princess Turandot (Eva Marton), the son of a conquered king (Michael Sylvester) must correctly answer three troublesome riddles. According to tradition, if he fails, it will mean his death.

It's mid-twentieth century Florence. Wealthy Buoso Donati has just died in his bed, his extended family the only people around him at the time.